II. METAL SCULPTURES

I began to express movement with sculptures in easy-to-work-with copper wire whose motive is a particular static subject.  So I committed to a path of movement -- which I have ceased to carry the expressive possibilities -- in classic style (See THROTTLE, the SNAIL, the VULTURE, etc.), then doing increasingly avant-garde research.

The butterfly

The butterfly

L'Escargot

L'Escargot

The vulture

The vulture

"Tribute to HENRY MOORE"

"Tribute to HENRY MOORE"

 

Note here the first expression of a flow that expands to describe a story with linear elements that compose it.

Poof in the bushes

Poof in the bushes

Baby Dinosaur

Baby Dinosaur

 

The building develops in the mind of a stream.

Aztec

The Flight

The Flight

FELLAH

FELLAH